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Wednesday, October 22, 2014

Peter Pan



Before We Begin: I apologize for the number of grammatical and structural errors in my last post. I will edit it someday when I am much less lazy. If you have a movie suggestion for next week, I highly encourage you to post it in the comments section. I believe that is all, so let's get this show on the road.

                                                                  Peter Pan
     This week I chose Peter Pan....actually someone else chose it for me. Either way though, I had a blast reliving my childhood in watching this film. It's a classic that I hadn't seen in a while (I have no idea why though because it was AMAZING).
     The movie starts out with the booming voice of the narrator. You remember narrators right?  Well Mr. Narrator (who doesn't appear ever again and the rest the movie. Who knows why) brings us to this delightful house full of chaotic children who spend their time playing pirates and Peter Pan because I guess "cops and robbers" or "cowboys and Indians" weren't as popular in this time frame. The children's father, who evidently is the biggest Peter Pan skeptic ever, is a "practical man".
      Perhaps now is a good time to address the fact that these children have a dog as a nanny. Who's genius idea was that?

                
      You got to hand it to her though; that dog is pretty efficient and much more coordinated than I am. 
      I am just going to say right off the bat that the entire movie focuses around youth and it's contrast with adulthood. There's  nothing wrong with growing older; however, most, when entering adulthood, tend to forget their childhood innocence which puts them out at a disadvantage in life. They get strung up in "practicality" and innocence and fun become fiction. That being said, George Darling becomes the perfect symbol for adulthood accompanied with lost childhood. What is particularly interesting is the contrast with his children. The majority of the children's features seem to be from their mother and none take after their father, neither characteristically nor physically.
      
                                      They do all look like their mother, however.
     If you read my previous post, you know that I like colors! In this film, George Darling wears a sensible black-and-white ensemble and Mrs. Darling (along with Wendy and Michael) are wearing more youthful pastels. This demonstrates their innocence and childlike qualities or simple open-mindedness.
     Back to the plot: George gets completely fed up with all of the Peter Pan "poppycock"(isn't that a fun word?) and tells Wendy that she must move out of the nursery as she is growing older.
       
          Gasp! What?! Move out of the nursery? You can't be serious? I'm only like eleven years old!
     The moving of the rooms is obviously symbolic for Wendy having to grow up. It's pretty self-explanatory. While Mr. Darling is doing unspeakably evil things, like giving his daughter her own room, he also decides that his children shouldn't have a dog as a nanny. This guy just keeps getting crueler and crueler. Taking the "nanny" away is also quite symbolic. It shows that the children are big enough to handle themselves. They are assuming responsibility and growing up. 
       After the Darlings leave (Mr. Darling in an amusing sarcastic fit), we see Peter Pan for the first time:
      
          Don't be afraid if this guy crawls into your bedroom window. It's just the weird flying boy who kidnaps your children and takes them to battle pirates. Honestly though, this is the most painfully creepy picture I have ever seen. 
           We have finally met the title character and his trusty pixie sidekick. In my personal opinion, Tinker Bell represents teenage girls (Peter is children, the Lost Boys are neglected children, Hook and George are adults, etc). She is self-conscious, easily swayed toward boys, jealous, vicious at times, and sometimes taken advantage of. I'll get to this some more later on.
   Haven't we all had those moments, ladies? Although I wish my figure was a little MORE like Tinker Bell's during those "moments".
    We find out that Wendy has Peter's shadow. Who would've guessed? Peter is gallivanting around in a juvenile attitude while Wendy is taking her maternal initiative and sewing Peter's shadow back to his foot. Man, I hate it when I have to sew my shadow back on. 
     Long story short: Wendy really wants to kiss Peter...a lot. She should probably sit down with her mother and have a nice little chat about self-respect and social graces. Tinker Bell decides that she does not like this new girl jumping her man, thus starting a conflict that will flourish throughout the entire movie. 
      Anyway, the children decide to fly to Neverland because why not. And then there's John: 
      Let me just grab my umbrella and top hat. John is the most British child ever, I swear.
      If you notice, however, John is the most mature of the group. He's got that diction down. Heck, in a few years he might be throwing out phrases like "absolute poppycock", just like his father. John also is the only child not in color. He instead mimics his father's black-and-white motif to symbolize his maturity.
      So there is this delightful little song about thinking happy thoughts and flight and all of that jazz.
          .                     
                                                  Grumpy Cat won't be flying today.
                                      Give it some time....you'll regret that one.

      Tinker Bell's jealousy comes out again as she insults Wendy, who promptly retaliates with a genuine compliment. This shows the difference between the teen mentality and the girl mentality. When a young girl sees someone pretty, they are unashamed to say it and usually disregard other factors. The teenagers, however, do not care about how pretty a rival female is. They will, instead, fight them with every fiber of their being (especially if she just tried to make out with your man). Tinker Bell is also taken advantage of quite a bit. She is only wanted for the pixie dust and is very under-appreciated. Tink does have all the metaphorical necessities of childhood though, such as flight, Neverland, and such, so she demonstrates the bridge between childhood and adulthood. 
       Notice that on their way to Neverland, they pass Big Ben (a clock). Clocks have to do with time and therefore age. Hint hint wink wink. 
       Off to Neverland where we meet our villain, Captain Hook. Hook is a very comical villain. It reinforces the childhood themes. Silly villains are often a characteristic of children's stories which is highly appropriate for this film. Also, who does Hook look like?
    
        Both of which are comedic and somewhat antagonistic. They also both stand for adulthood.  Coincidence? I think not! Hook's goal is to kill Peter Pan, who is a symbol of childhood. Hook, in theory, is on a mission to end childhood in which he relates to George here, who is trying to force Wendy to grow up.
     
        Anybody else notice that the map shows Cannibal Cove? How did they forget to mention that there are flippin' CANNIBALS on this island?! And this is where all of these children are supposed to spend their immortal lives? How about no. 
        In other news, Captain Hook just flat-out shoots a guy for being slightly out of key. Maybe he could stand to join Wendy and Mrs. Darling for that chat on social graces. 
        One of the most iconic elements of the film, Hook is always being stalked by this crocodile. The crocodile swallowed a clock and now ticks constantly because of it. Think hard, what is one of the biggest fears of adulthood? Growing old and death. The ticking crocodile could certainly be a metaphor for Hook's fear of old age and and it's inevitability. It is interesting though, given that theory, that adults and children share a fear. 

        Have you ever wondered what Hook's name was before he had a hook for a hand? There is no purpose in that question; I'm just curious.
       Peter Pan and Hook duke it out. Guess who wins? Peter=1. Hook=0. Tough break. Meanwhile Tinker Bell summons the Lost Boys. These boys are the bad type of childhood, the children who are raised incorrectly and act like animals, who have been neglected and don't know the importance of family, and who will always remain juvenile. Anywho, Tinker Bell up and tells them to go shoot Wendy and they're all like, "Sounds legit." So off they go to shoot Wendy. The boys are caught by a disapproving Peter and all feign for attention like neglected children do. Peter gets ticked at Tinker Bell who gladly admits to the crime and doesn't take any of his crap.
                                   So much sass for such a small pixie.
     Tinker Bell gets banished for a week but she doesn't look so concerned about it in that picture. 
     Next they decide to play "Follow the Leader" which isn't really a game. It's just an opportunity for you to boss all of your friends around. This "game" is accompanied by a song that will never ever ever get out of your head. So have fun with that. 
                  See, John? Even the monkeys are making fun of your top hat.
     They decide to come up with a strategy to attack the Indians. Since Michael is somewhat of a runt and easily distracted (I relate), he is excluded from this highly secretive discussion. While this is happening, he discovers an inevitable ambush which he tries to warn the others of but because of his status, the jerks don't listen and then they are all captured, including the teddy bear.
      The movie then proceeds into one of the most politically incorrect scenes of all Disney. These aren't the graceful Pocahontas natives; these are aggressive "savages". 
                      
                             The chief totally stole Governor Ratcliffe's hairstyle.
    Meanwhile, Peter Pan takes Wendy to that mermaid lagoon she was dreaming about. Turns out, these mermaids are really flirtatious. They also bully Wendy quite a bit. 
                                                           No big deal.
After that fiasco, the duo heads to go rescue Tiger Lily from Captain Hook. Hook's got Tiger Lily tied to an anchor in the cave while the crocodile closely watches. Props to Tiger Lily, though. Talk about calm and collected.
   She and Tinker Bell need to form a club for girls who are having none of your shenanigans.
There is this huge scene in which we find out that Peter does very good impressions. Seriously, he could have quite a career ahead of him. Also, Tiger Lily is saved and Captain Hook almost gets eaten by the crocodile. Hook goes home after the near death experience and by the look of things is having a tough time coping. 

                 
                            An accurate depiction of me during finals week.

 What happens next is the most underestimated line in all of Disney: "Brings back the good old days when we was leadin' a normal, healthy life, scuttling ships, cutting throats." Oh, Mr. Smee. I'm fairly certain he is also drunk in this scene. Captain Hook eventually comes to his senses and develops a diabolical plan (because you can't be a decent villain without one). 
     On the other side of Neverland, Peter Pan has returned Tiger Lily and made everyone "heap glad."
They then smoke a peace pipe. I would like to take this opportunity to say, don't smoke at age eleven or whatever the heck Peter is. Not cool. Then there is this song that is really good but will make you feel guilty for liking it. Everyone parties! Dancing! Drum circles! But poor Wendy Darling is sent to get firewood probably because she is a woman or something. Then, lo and behold, Tiger Lily takes that kiss from Peter that Wendy so desperately wanted....and he liked it!  Wendy is about done at this point. Love is cruel. Robbie Heart put it best:

                        
                  If you get nothing else from this post, understand that Love Stinks (yeah yeah).
      Back to Captain Hook. Hook is playing the piano amazingly for a dude who's short 4 appendages. Another point about Tinker Bell representing teenagers: in this scene, we see her seek refuge in an older man who is only using her because she is vulnerable and has something he wants. Once again, feel free to do with that information what you wish. Tink sells out and it turns out that Peter Pan lives in Hangman's Tree. 
               You would think that a tree like this would be just a tad bit suspicious.
 Inside said tree, Wendy has grown into a young lady. She assumes motherly roles and tells the children to "be practical" which is the term used to describe George Darling in the beginning. She has effectively begun to enter adulthood. She tries hard to get the boys to calm down and succeeds. You have to pity her though, it's like frat house Jr. in there. Wendy sings this cotton-candy-sweet song to the boys and John takes the feather from his top hat. The reluctant Peter, however, leaves an entire headdress on. At this point those feathers symbolizes immaturity. John has released his and Peter has not.
                                                    Turns out, we are all Michael.
   This part of the movie is like the rebuttal. Youth is important and imaginative, whimsical fun is important. Remembering those are all important but maturity is necessary. There is a balance that must occur for success in life. 
       The Lost Boys and the Darlings leave the tree to be kidnapped by pirates while Peter plays a melody on his pan flute. It's staccato, spontaneous, and jovial, just like him.
        The children are taken to the pirate ship where they are promised things like free tattoos for signing on to become a pirate. So far the movie has advertised alcohol, smoking, and now tattoos (and who knows what's in that "pixie dust"), all while encouraging childhood innocence. This scene depicts how evil characters are always targeting children. This is because children, as a group, are much more valuable and strong than many think. Hilter had a very active youth program that helped further the Nazi party. 
        Hook's genius plan, it turns out, is to give Pan a box that says "Do not open until six o'clock." 
                                                         Seems legit.
         Tinker Bell comes back and saves the day even though this jerk tried to banish her forever! Congrats to Tink on being the bigger man here. Pan heads off to save his other woman who is currently walking a plank. Oh the suspense. She jumps....and there's no splash. The entire crew is baffled.

       
No one can figure out why there wasn't a splash until Peter Pan makes it painfully clear. The ship plummets into a fight. Smee does the only sensible thing and starts fleeing while Hook and Peter battle. Peter agrees to fight Hook without flying which is stupid because Peter is going up against a sword with a dagger, but hey it's not my life that's at stake. Peter pulls it off though and Hook begs for what he can't give: mercy. Somebody needs to teach Hook the golden rule. They call Hook a codfish (out of all the insults...really?) and send him on his merry way where the crocodile tries to strike, as he always strikes in moments of vulnerability. 
     They start on their way home...in a flying pirate ship of course. How else? These children come home after having been fired at with cannons, shot out of the sky with slingshots, attacked by homicidal mermaids, almost burned at the stake, encountering psychotic pirates, while avoiding ticking crocodiles and rumored cannibals. Sounds far more interesting than MY evening. Wendy admits to her father that she is ready to grow up. It must have been the multiple near-death experiences. They watch the ship fly out the window and George's eyes grow. He's seen the ship before. Now that, my friends, is an ending.

     I missed this movie so much. It is so diverse and entertaining and plot driven. There is intensity in every scene and it carries very emotional themes. I got chills at the ending. It's impossible to get bored watching it. And one more for the road: 

Wednesday, October 15, 2014

Pocahontas

Introduction
      Alright you Disney fans, dreamers, and over-thinkers like me. I love Disney with a relentless passion so I have committed to watching at least one Disney movie each week and cataloging my discoveries, revelations and thoughts (I will be sure to keep from boring you to tears). I honestly believe that Disney has much more depth than most claim. Sure, they're kids' movies, but they also carry some super heavy, deep, adult stuff. So here it goes.
     
Pocahontas
     So this week I sat down and watched Pocahontas as the first movie of my blog. It hasn't been forever since I've watched it, only a few months. That's what's great about Disney though: it never gets old.
    The movie starts in 1607, watching men say goodbye to their dear families as they head off into the New World to mine some gold and kick some savage butt.


     Poor Thomas (btw: Christian Bale *insert excited squeal here*) . Really though, everyone forgets that's he has a woman. I truly believe that one of the saddest moments in the film is watching Thomas leave his family.
    Enter: Hunky animated Mel Gibson. They start the movie developing John Smith as this flawless hero, saving poor, dear Thomas and being completely admired by the sailors like a steak on a vegetable platter.. That is why his relationship with Pocahontas is so significant: she reveals his flaws. It shows that love does not have to be perfection and couples in love do not have to see each other as perfect. Love makes us want to be better.
      Then we meet this guy:

     "That man's pink bows and pigtails are really attractive!" Said no one ever. Turns out he is a huge douchebag. Who would have guessed?
     Flash-forward to a tribal village. There are a lot of shots of Native American families, and hunky warriors. What strikes me about these few shots are the contrast they pose to the Englishmen. We have seen them act like immature schoolboys and here are these poised natives. What's really fascinating is the water metaphor. The Englishmen have just fallen victim to a storm at sea, that included chaotic waves and dangerous conditions, yet the rivers near the natives are so calm (later Pocahontas disagrees. We'll get to that). Right away, Disney is demonstrating the relativity of the word "savage" and also pulling out some irony.
     And finally we see the title character, a beautiful native woman diving off a cliff.  Normal, right?


      I sometimes get this sneaky feeling that she would not have survived that fall. But, hey, the real Pocahontas was 12 and had no romantic interest in John Smith whatsoever so it's not really fair to claim the reality card. So here we are: an airy, fun teenage girl and her sassy sidekick as well as a troublesome raccoon and a shockingly mature hummingbird (if anything, I'd want to be a Disney princess for the animal sidekicks). 
      Then we see the dreamy Kocoum. *swoon* 
      "I especially love his smile." Don't you just love Disney sarcasm? Hey, Kocoum:
     
     
Now after a huge incident in which her father tells her that she should marry Kocoum, and he gives her a necklace from her dead mother (we'll get to that), she heads out on the river and makes the stunning accusation that a river is dangerous and chaotic and not at all calm. Meaning, if we stick to my symbolic water theory, barbarity is completely relative. As they say later, savage is different, so the queen of England could be savage as long as there is someone out there with a grand enough contrast in lifestyle. 
      Pocahontas is now completely torn between marrying Kocoum because he is "handsome and sturdy" or being her own woman, so she does what any sensible teenage girl does: she goes and talks to this creepy talking tree. No big deal. (I don't want to discredit Grandmother Willow as she will always have a special place in my heart). They talk about compasses and life and all sorts of stuff and dreams about strange clouds. Then all of the sudden, low and behold, strange clouds!


Hate to burst your bubble, but those are definitely sails. 
     Now we leave Pocahontas who is having this huge internal struggle about marriage and clouds and whatnot and go to Governor Ratcliffe who is evidently having his own dilemma about those "savages".  Remember Ratcliffe? Creepy pigtail dude? His right-hand man has this brilliant idea 
about gift baskets. 


Who just brings gift baskets on a multi-month sea voyage? This guy is prepared.
    Bummer, the natives find out about the colonists. Most people think that Disney implies racism throughout it's use of characters and themes. This movie is the perfect one to contradict those 
theories. The corruption of the exploratory era and overall European mindset is accurately portrayed in this film. Also there is an ethnically diverse princess who is perhaps the most independent Disney has seen. I will address this more later.

     I would like to take this moment to say that "Mine" is one of the best Disney songs. The double 
meaning, melody, everything is just great. Props to Alan Menkin. 


                                      Nothing makes the ladies squirm like those pigtails though. 

    Another great thing about that song is that it contrasts Ratcliffe with John Smith so well. Ratcliffe 
spends the song singing about how beautiful gold and all things shiny are. It's a very superficial form 
of beauty. Smith, on the other hand, nails this solo about how beautiful America is. That demonstrates a more humble form of beauty. In simple terms: Smith=GOOD; Pigtail Man=BAD.

      After Smith nails his solo, he frolics about the forest for a bit before coming across a stream. All is well and normal until suddenly.....BABE!

                                        If only this happened more often when hunting, right, men?
    The music in this sequence is especially wonderful because it introduces a new theme. The music played when the colonists are about plays with Celtic themes. There is a lot of woodwinds and jovial melodies as well as the common repetition. Mostly, there is a distinct emphasis on wind instruments. When the natives are being shown, however, the music has harsher melodies with more of an ominous undertone. This doesn't necessarily indicate barbarism or danger, but is strictly a 
contrast from the colonists. The native music places emphasis on percussion and little emphasis on wind instruments. In this sequence, when Smith and Pocahontas meet, the music is soft and ballad-
like. Ballads are often used as a way of expressing love, so right off the bat there is that promise of romance. The score uses violins and cellos in this part far more than in the others. This music isolates the two, showing their involvement in the moment as well as the isolating effects of true love. In case you need a recap, colonists are woodwinds, natives are percussion, and Smith and Pocahontas are 
strings. Once again, props to Alan Menkin.

     Obviously Pocahontas can't speak English and Smith can't speak...whatever it is that Pocahontas' tribe spoke. It's hard to make your move when a chick doesn't even speak English. Then Grandmother Willow starts singing, "Listen with your heart. You will understand" in the background. Suddenly, 
Pocahontas speaks perfect English. For some reason, I never understood that until now. 
     On the other side of the movie, the natives start looking in on the colonists. I would be a little concerned too if people started digging in my backyard.  A fight breaks out which is completely unfair because the natives only have about three people on their side AND they have less advanced weaponry. 
(From IMDB) Governor Ratcliffe [after witnessing Thomas' lack of proficiency in using a rifle]: "Learn to use that thing properly. A man's not a man unless he knows how to shoot." ...or wears pigtails. Either one works. 
                                           

       Close up of John Smith. *Swoon*. He and Pocahontas get some quality bonding time and examine the extreme culture clash between them. She teaches him how to say hi (Wingapo) and what corn is and he shows her crackers and his dreamy face. Although his eyebrows don't match his hair 
color so that is a bummer. He makes a few stupid moves and ruins his entire play, and continues digging a hole until Pocahontas tells him off. She is definitely her own woman. To those haters out 
there who think Disney is sexist: tell that to Pocahontas. She stands up for herself and doesn't need a man. She makes her own choices and lives for herself. She is the ultimate role model (although, you have to wonder if she's the one your mother is talking about when she says, "If your friends jumped 
off a cliff, would you?")
       Then we plummet into a deep song about the subjectivity of  savageness. In other news, picking up a bear cub right in front of its mama is not the wisest thing to do. Somebody should probably be tallying how many times she could have died in this film. So this song addresses some profound racial issues and greediness. "You can own the earth and still all you'll own is earth until you can paint with all the colors of the wind."
       After the song, it's back to Grandmother Willow.
                                             

                                                                         Smart tree.
     Grandmother Willow talks some more about listening to your heart.
     The next scene, Smith teaches Thomas how to shoot a gun. This will be significant, I promise. All of the characters in this film have so much societal and peer pressure. Nakoma is friends with 
Pocahontas, pressuring her to choose between protecting her friends privacy or safety. Does she 
always side with Pocahontas or does she do what's best for her people? Her character is in an immensely difficult position. Thomas is put under pressure by his peers who are more accomplished 
than he is. He has to rise up and overcome his underdog status. Smith has a battle with his morals. He has the moral compass he was raised with but is also discovering a more instinctual type of morality 
through his love for Pocahontas. Then there is Pocahontas, the queen of pressure. She has to constantly decide between constant stability or spontaneous liberty. If she chooses the former, she cannot be herself or be happy and yet if she chooses the latter, she will be ostracized. 
       It's already been widely addressed that Disney's telling of Pocahontas mimics Shakespeare's Romeo and Juliet. In case you haven't heard the translations, Pocahontas and Smith are Romeo and Juliet, Kocoum is Tybalt, Prince of Cats. Thomas is Mercutio. It could also be argued that Thomas is Benvolio because he is such a peacekeeper, but later events contradict that theory.
      Another point I would like to address: Kocoum is NOT a bad guy! He is a guy who defends his village, respects his leaders, and loves a girl. You can root for Pocahontas and still like Kocoum. If anything, pity him. He had a great thing going for him: a good career, killer abs, a possible fling with the boss's daughter. Then these idiots came to town and took it all from him. That being said, his death is really sad. The fact that the last thing he does is reach for Pocahontas shows that he really does love her deeply. Also, the necklace is symbolic of peace. Pocahontas' father gives it to her when everything is most calm. The breaking of the necklace symbolizes the shattering of said peace and the the plunge into utter chaos and rivalry. This is why its significant that John Smith teaches Thomas how to shoot: Thomas shoots Kocoum, whose murder leads to Smith's own capture and planned execution. Oh, the irony. 
         I'm going to talk about colors now. The movie is color coded, if you notice. The colonists are 
purple:


The Natives are red:


And Pocahontas and John Smith are blue, the most calm and soothing color of the group. The necklace is also blue.


These themes play out across the entire movie (along with the musical themes) if you notice. It really conveyed the separatism of the cultures and their hatred of each other. The colors also work to separate Pocahontas and Smith into their own world, beautifully conveying love at its finest.
     Remember, kids, people are not killed by guns and knives; people are killed by hate.
     Now at last we have reached the infamous tent scene which can only be described as HAAWWWTT!!!!!


Seriously! His shirt is ripped open, the lights are low (notice the blue), her hands are all over his chest, they're throwing out lines like, "I'd rather die tomorrow than live a hundred years without knowing you". There's even some bondage if you're into that sort of thing. 
     Once you cool down from that, we move into this glorious song, divided into three parts (colonists, natives, and Pocahontas). This once again supports the division of culture. Then Pocahontas stops her father from murdering her boyfriend and her father, being the reasonable man he is, calls off the execution. I always admired her father because it takes a strong person to be able to admit to being wrong in a place of authority. Especially to one of your children.
     Another thing I admire: John Smith and Pocahontas don't immediately jump into making out, but instead share a warm, emotional hug.


It decreases the emphasis in culture on physical love and shows that mature romance can be as simple as hugging. Once again: role model. It is so beautiful.....until he gets shot that is. Then the party's over.
Jump to the ending. This ending proves that Disney does not always have flawlessly happy endings but that there are devastating endings. That parallels to real life. Not everything is going to turn out okay. We have to make difficult decisions and Pocahontas made one. And the necklace is restored again, meaning peace is back. Pocahontas made a hard choice, choosing between what was best for her people or adventure. It is the same question that the movie has been constantly asking, and in the end, surprisingly, Pocahontas realizes that sometimes stability is necessary. She goes back to her "handsome and sturdy" life, leaving her true love for obligation. It's tragic but it happens. We make these decisions everyday and this movie shows that we do not have to succumb to guilt or shame for what we choose. 
Anyway, John leaves, devastated, and Pocahontas runs to see him (which is where I always start crying). Pocahontas only runs four times that I counted in this movie: once away from John, once with John, once to rescue John, and once to say goodbye  to John. Their relationship can be summarized just by the running that happened during it. She goes to the cliff to wave goodbye. And he waves Wingapo, which in case you forgot, is hello not goodbye. This is the most beautiful of all. 
Grab your hankies, folks. 

In conclusion, I laughed, I cried, I got chills. This movie made my childhood and is still a huge part of me. There are elements in this movie that make it extremely watchable for both children and adults. It's timeless, the type of story that leaves you craving afterwards. That's all I have for this week, though. I hope I wasn't too long-winded. Please watch Pocahontas if you haven't recently. You won't be disappointed (a man in pigtails, Christian Bale, attractive animated men, gift baskets. Who could be disappointed?)